My work focuses on issues surrounding modernism, abstraction
and the politics self-sufficiency. The nature of production, both artistic and otherwise, has been another primary concern in terms of my identity as an artist and researcher. Delving into current and historical relationships between physical production on a global level and the construction of identity allows me to situate myself as a producer of objects and media. In order to excavate these issues, I often employ techniques that collapse distinctions between the expressive gesture and the glitch. This also serves to demonstrate and complicate contemporary relationships to post-war American abstraction. In this way, my work aims to articulate the obligations and anxieties related to following in the footsteps of the past.
